Take a closer look (below)

ALSO AVAILABLE:”Crow’s Nest and Storm King” from HUDSON HIGHLANDS. Needlewatcher Editions. 2017.Archival Pigment prints. Image size: 5 x 10 inches. Mat size: 11 x 19 nches. Numbered, signed and dated. Limited edition of 500. $250.00 shipping included.

Inquiries: editions@needlewatcher.com

Needlewatcher Editions. PO Box 233, Essex. New York. 12936

Three artworks by James Lancel McElhinney—two paintings and one drawing—have entered the permanent collection of the Plattsburgh State Art Museum. The museum holds than 10,000 objects including the most comprehensive collection of artworks by Rockwell Kent (1882-1971). McElhinney  and  his wife, noted scholar Katherine E. Manthorne, purchased a home on the Champlain Coast in 2020. McElhinney set up a studio in Au Sable Forks, not far from Rockwell Kent’s farm Asgaard.

McElhinney received an MFA in Painting from Yale and completed his undergraduate training at Tyler School of Art and Skowhegan School of Painting and Sculpture. McElhinney is the recipient of grants from the National Endowment for the Arts and the Pollock Krasner Foundation. He is the author of six books on painting and drawing, and numerous essays on various subjects in periodicals and peer-reviewed journals.

McElhinney artworks can be found in the collections of the Albany Institute of History and Art, Asheville Art Museum, Chrysler Art Museum, Denver Art Museum, New York Public Library, Pennsylvania Academy of Fine Art, West Point Museum, Yale Beinecke Rare Book Library, and others including Hudson River Museum, where McElhinney now sits on the Board of Trustees.

MORE ABOUT THE MUSEUM:https://www.mcelhinneyart.com/jlmcelhinney/a-visit-to-plattsburgh-state-museum/

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BOSCOBEL WORKSHOP TIPS 2025

LEARN MORE. A preview meetup and planning session takes place on March 2, 2025 @ 5:30  PM, Eastern Standard Time. LINK

MEETING ID: 282 1687 8161       PASSCODE: 696192

Growing interest in landscape and the environment, together with the popularity of plein-air painting, nature journaling, and urban sketching now inspires people of all ages to discover their creative potential in the presence of nature.

The Forever Wild Adirondack Park encompasses six million acres of outstanding natural beauty. Its high peaks, rivers, and lakes attract hikers, campers, paddlers, anglers, and winter athletes. Its scenic vistas inspired artists such as Thomas Cole, Winslow Homer, Sanford Robinson Gifford, and Rockwell Kent—but they were not here first.

These fine art practitioners followed trails blazed by military topographers, explorers, surveyors, and naturalists. Among the earliest views of North American scenery was produced by British military officers during the French and Indian War. Reviving their time-honored methods of topographical painting “on the spot” reveals the forgotten precursors of painting in oils sur le motif, and seamlessly dovetails with today’s plein-air experiences.

Workspace and lodgings have been identified to accommodate these learning experiences. Apart from James McElhinney’s Sketchbook Explorer master classes, we hope to attract other artists and mentors to lead additional workshops in subjects ranging from botanical art and nature journaling, to landscape drawing, nature writing, mindfulness, and meditation. Programs are also being developed with other venues in the region.

JOIN US!

Receive regular updates by joining our mailing list— workshops@needlewatcher.com

The first information session will be at 5:30 pm Eastern Standard Time on Wednesday March 5, 2025

RSVP to workshops@needlewatcher.com

During a lifetime devoted to creative output, many artists find themselves being caretakers of countless unsold artworks and file-boxes packed with documents, with no idea what to do with them. They resolve to tackle the job, but they procrastinate, or are interrupted by varioius distractions. Many just want to keep working; hopeful of being rediscovered, or the glorious swansong of a museum retrospective. This is seldom how their stories end, unless they become proactive and take steps to create a durable legacy plan.

HERE’S HOW

A cautionary tale about the dispersal of SoHo artist Mary Beth Edelson: READ THE STORY

Tales with happier endings:InsideTrackLookingForwardfinished10-12-21copy-compressed

Brian O’Doherty Estate Appraisal 

Brian O’Doherty (1928-2022)

It was a privilege, pleasure, and honor; to have completed an appraisal of artworks in the estate of the late Brian O’Doherty, whose long career included being an art critic and presenter for NBC and PBS. He was an editor at Art in America magazine, and the author of numerous essays, and several novels.Long before before art fairs and the Internet, his influential book Inside the White Cube: The Ideology of the Gallery Space described how late 20th-century art was defined as much by the sterile environments in which it was exhibited, as by the art itself.  O’Doherty was a prolific visual artist who excelled in a variety of practices; from drawing and painting, to installation and performance. He invented a number of alter-egos— the most famous of which was Patrick Ireland; a persona adopted in protest to the Bloody Sunday massacre in Derry on January 30, 1972.  After peace finally came to Northern Ireland in 2008, O’Doherty held a wake and burial of Patrick Ireland in the  formal garden of the Irish Museum of Modern Art. The importance of this significant artist’s life has yet to be reckoned, but it is sure to be lasting.

O’Doherty is represented by Simone Subal Gallery in New York, Galerie Thomas Hoffmann in Friedberg, Germany, and Galerie Thomas Fischer in Berlin.

Every two years, USPAP-complaint appraisers are required to complete a seven-hour refresher course. With over two million “appraisers” reportedly working in the United States, less than five percent have ever passed the examination of the fifteen-hour USPAP course, and fewer still remain current with USPAP.

So— what is USPAP? The Uniform Standards and Practices for Appraisal Professionals  “is the generally recognized ethical and performance standards for the appraisal profession in the United States.  USPAP was adopted by Congress in 1989, and contains standards for all types of appraisal services, including real estate, personal property, business and mass appraisal.  Compliance is required for state-licensed and state-certified appraisers involved in federally-related real estate transactions.”

There is no state licensing requirement for personal property (art & antiques) appraisals, but those appraisers who take the 15-hour USPAP course, passing its examination test, and taking a 7-hour refresher course every two years demonstrate credibility by holding themselves to the highest ethical and performance standards in the field.

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Read it now:

Author and visual artist James Lancel McElhinney spoke with artists and estate managers to find out how creative lives are preserved for posterity. Find out what you can do, as artists nearing the end of active careers, or as manager of the creative legacy of a loved one. Learn what steps anyone can take to advance the visibility of artists’ lives, in ways that may help to re-establish and maintain their work’s position in the art market.

Read the article LINK

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EXPLORE: Artist Legacy Survival Kit